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Shu Lea Cheang's Japanese Porn |
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This paper considers a Japanese-produced digital sci-fi porn film, I.K.U.: A
Japanese Cyber-porn Adventure, by Taiwanese-American filmmaker Shu Lea
Cheang and the ways in which it rehearses a future condition for
electronically networked sexual communities. I.K.U. departs from the
much-hyped "newness" of new media and liberatory queer discourses that
attend the World Wide Web. The film is partly inspired by Ridley Scott's
Blade Runner (1982) and offers a keen meditation on the globalization of
sexual agency, often defined in commercial advertising by a capacity to
traverse gender and national boundaries independent of material conditions.
Marketing strategies construct a global queer subject who purchases services
instead of taking an activist position within sexual minority groups. Rather
than gesturing toward sexual transgression defined by the entrepreneurs of
online chatrooms or cybernetic designer wear, Cheang's curiosity lies in
improvising within the realm of subversive eroticism disguised as "Japanese
pornography." |
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Link to I.K.U |
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